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Featuring Gill Arno, Patrick Franke, Richard Garet, Wolfgang Gil, Andrew Lafkas, David Moscovich, Daniel Neumann, Ben Owen, Chris Weinheimer, and others.

The group will explore collaborative strategies of composing and performing sound and visuals based on the idea of modular organization. Pieces are developed in non-hierarchical and decentralized forms where collaborators interact as equals. The modular structure is reflected less on the technical level but primarily on the level of collaborative formulation of ideas and its execution.

More info

http://www.brownpapertickets.com/event/214702

POINT PLAY curated by Nisi Jacobs:
Octophonic Installations by Michael J. Schumacher, Richard Garet, Adam Kendall, Wolfgang Gil

POINT PLAY invites four artists (Schumacher, Garet, Kendall, and Gil) to compose individual works through an interaction with Wolfgang Gil’s ROctoR (Real-time Octophonic Router), a new custom software instrument designed for multi-channel sound diffusion. Enabling the creation of 8-channel soundscape compositions based on prerecorded or live sound, ROctor allows the ability to dynamically assign sounds to a selected set of speakers, and transition seamlessly to subsequent configurations, simulating the sensation of physical movement in space. In Schumacher’s work Sledge, for example, the composer spatializes sounds from sources such as

“films, including The Exorcist, The Sentinel, The Dungeonmaster and The Birds / Arp, EMS and Buchla synthesizers /
poet Bruce Andrews imitating the sounds of another of the composer’s installations / workers hanging a theatrical curtain / a wooden toy car / a skipping CD / stones tossed into a lake / the composer playing guitar / a Ferrari.”

The cycle of sound works from the four artists plays each Saturday of December on the 8-channel ROctoR system in the Gallery room at Diapason for extended immersive listening.

Richard Garet’s Rupture: Material Landscape consists of a single video channel, presenting a moving image piece originating from treated and processed 16mm film. Accompanying the moving image presentation Garet prepared an aleatoric sonic system based on sounds recorded from processed and modified audiocassette tapes. Garet invited Wolfgang Gil, a programmer and sound artist, to execute the aleatoric system with Max/MSP and Gil’s custom-made software Roctor. Gil will distribute Garet’s sonic material throughout the overhead multichannel audio system during the presentation of the footage. Garet also invited, as a special guest, interdisciplinary artist Bonnie Jones to contribute to the piece with live text and voices, which Wolfgang Gil will also be spatializing throughout the overhead multichannel sound system.

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